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Chanel aka cc dating

Chanel aka cc dating

Yet, because of the many ubiquitous themes and designs throughout such a history, it can often be hard to contextualize an individual piece historically. While we can only speculate as to why, we know Chanel liked to consider her jewelry as a functional piece of her whole ensemble, so perhaps the lack of date marks was intended to make each piece of jewelry less of a stand-alone piece and more part of an entire outfit. The first Gripoix poured glass pieces were done for Chanel around this time as well, marking the beginning of a three-generation collaboration.

Ironically enough, the only pieces produced around this time that bore the Chanel name were not made by Chanel. This was during World War II, after Chanel had closed its doors, yet Chanel still protested the use of its name, suing the company. The name was thereafter changed to the Reinad Novelty Company and they stopped using the Chanel stamp. While not official Chanel pieces, these Chanel Novelty Co. She continued to produce jewelry designed specifically to accompany her couture, often times selling necklaces, brooches, earrings, and bracelets as part of a couture ensemble, so much of the costume jewelry she produced remained unmarked.

Around this time pieces were being produced with the same stamp with an additional three stars underneath the name CHANEL. Pieces still bore the CHANEL stamp, but it was enclosed in a stamped circle with copyright and registered trademark stamps in the upper left and upper right corners of the circle, respectively.

Necklaces around this time bore the same stamped plate, albeit in a different and quite ingenious manner. On a single link in the chain of each necklace, a small circular plate with the same stamp was folded in half over a link, producing a sort of semicircular tag. The plate was quite seamlessly integrated, often not even noticeable unless one were to examine the piece closely. It was around this time specifically, in that Karl Lagerfeld took over as Chief Designer and brought with him a second wind of creative genius to the Chanel brand.

De Castellane introduced a new plate that gave more focus to the season each piece was released. The plates became ovals, still bearing the classic CHANEL with the copyright and registered trademark signs now directly to the left and right, respectively.

Underneath, in the very center of the plate, was the interlocked CC logo. On either side of the interlocked CC logo were numbers indicating the season the piece was released. This style of plate was on all Chanel costume jewelry from their 23rd season to their 29th. While most of the plate remained unchanged, the numbers indicating the season were replaced. The plate was either stamped into a piece, soldered on directly as with the aforementioned necklace plates , or in some cases, such as a few bracelets, the plate would hang like a tag or charm from the piece.

Even though Victoire de Castellane left Chanel in , the stamp she introduced has seen very few changes in years since. Also, the stamp is increasingly being stamped directly onto pieces, rather than being stamped onto a metal plate and later applied to a piece. In chronicling the history of Chanel, we can only be grateful that Chanel has taken so much of the guesswork out of it. The date marks on Chanel jewelry allow us a much more intimate knowledge of where and when a piece came from, granting us a wealth of historical context and a closer connection to each piece.

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Chanel aka CC Made it



Chanel aka cc dating

Yet, because of the many ubiquitous themes and designs throughout such a history, it can often be hard to contextualize an individual piece historically. While we can only speculate as to why, we know Chanel liked to consider her jewelry as a functional piece of her whole ensemble, so perhaps the lack of date marks was intended to make each piece of jewelry less of a stand-alone piece and more part of an entire outfit.

The first Gripoix poured glass pieces were done for Chanel around this time as well, marking the beginning of a three-generation collaboration. Ironically enough, the only pieces produced around this time that bore the Chanel name were not made by Chanel. This was during World War II, after Chanel had closed its doors, yet Chanel still protested the use of its name, suing the company. The name was thereafter changed to the Reinad Novelty Company and they stopped using the Chanel stamp.

While not official Chanel pieces, these Chanel Novelty Co. She continued to produce jewelry designed specifically to accompany her couture, often times selling necklaces, brooches, earrings, and bracelets as part of a couture ensemble, so much of the costume jewelry she produced remained unmarked.

Around this time pieces were being produced with the same stamp with an additional three stars underneath the name CHANEL. Pieces still bore the CHANEL stamp, but it was enclosed in a stamped circle with copyright and registered trademark stamps in the upper left and upper right corners of the circle, respectively. Necklaces around this time bore the same stamped plate, albeit in a different and quite ingenious manner.

On a single link in the chain of each necklace, a small circular plate with the same stamp was folded in half over a link, producing a sort of semicircular tag.

The plate was quite seamlessly integrated, often not even noticeable unless one were to examine the piece closely. It was around this time specifically, in that Karl Lagerfeld took over as Chief Designer and brought with him a second wind of creative genius to the Chanel brand.

De Castellane introduced a new plate that gave more focus to the season each piece was released. The plates became ovals, still bearing the classic CHANEL with the copyright and registered trademark signs now directly to the left and right, respectively. Underneath, in the very center of the plate, was the interlocked CC logo. On either side of the interlocked CC logo were numbers indicating the season the piece was released.

This style of plate was on all Chanel costume jewelry from their 23rd season to their 29th. While most of the plate remained unchanged, the numbers indicating the season were replaced.

The plate was either stamped into a piece, soldered on directly as with the aforementioned necklace plates , or in some cases, such as a few bracelets, the plate would hang like a tag or charm from the piece. Even though Victoire de Castellane left Chanel in , the stamp she introduced has seen very few changes in years since.

Also, the stamp is increasingly being stamped directly onto pieces, rather than being stamped onto a metal plate and later applied to a piece. In chronicling the history of Chanel, we can only be grateful that Chanel has taken so much of the guesswork out of it. The date marks on Chanel jewelry allow us a much more intimate knowledge of where and when a piece came from, granting us a wealth of historical context and a closer connection to each piece.

Chanel aka cc dating

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5 Comments

  1. This was during World War II, after Chanel had closed its doors, yet Chanel still protested the use of its name, suing the company.

  2. De Castellane introduced a new plate that gave more focus to the season each piece was released.

  3. The plate was quite seamlessly integrated, often not even noticeable unless one were to examine the piece closely.

  4. His name was Alain Wertheimer and he introduced the copyright and registration marks to protect the Chanel name. Even though Victoire de Castellane left Chanel in , the stamp she introduced has seen very few changes in years since.

  5. From this date, Chanel introduced two annual collections to coincide with the couture catwalk shows, one in Spring, and the other in Autumn. Around this time pieces were being produced with the same stamp with an additional three stars underneath the name CHANEL. Necklaces around this time bore the same stamped plate, albeit in a different and quite ingenious manner.

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